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Review
of Literatures of the European Union
Andrea
Battistini (Università di Bologna)
La
giovinezza, imperativo anagrafico delle avanguardie
 -
Abstract
›Title
in English: Youth, the imperative of the
avant-garde
Rita
Bischof (Universität Hannover)
Prolegomena
zu einer Hermeneutik der Avantgarde
- Abstract
›Titre
in English: Prolegomena to a Hermeneutics
of Avant-garde
Sanja
Bahun - Radunovic (Rutgers University)
When
the Margin Cries: Surrealism in Yugoslavia
-
Abstract
Joanna
Peiron (Université de Provence) -
Abstract
Le
jubilatoire postmoderne: un mode au sein de
l’avant-garde européenne
›Title
in English: The postmodern jubilatory:
a mode within the European avant-garde
Eddie
Breuil (Université Lumière Lyon
2)
Vie
et mort de la Collection Dada
- Abstract
›Titre
in English:
History of Collection Dada
Andrea
Battistini (Università di Bologna)
La
giovinezza, imperativo anagrafico delle avanguardie
›Title
in English: Youth, the imperative of the
avant-garde
Abstract
This article, as the title clearly points
out, is focused on the study of “youth”,
both as a symbolic element and a biographic
one, for the European avant-garde artists
of the beginning of the XXth century. Starting
from an Italian perspective and enlarging
the field of study to the totality of the
last century avant-garde movements, this article
proposes to consider Youth and its celebration,
not just the mere affirmation of the gap with
the previous generation, but as the primary
factor that, thanks to its fantasies, dynamism
and anger, allowed to these movements a total
rupture with the past, that is essential to
any avant-garde.
Keywords: avant-garde, youth,
futurism, Marinetti, Italy
Rita
Bischof (Universität Hannover)
Prolegomena
zu einer Hermeneutik der Avantgarde
›Title
in English: Prolegomena to a Hermeneutics
of Avant-garde
Abstract
Moving from a brief account of different interpretations
of the European Avant-garde, this study asserts
the necessity of elaborating a hermeneutics
of the Avant-garde which ensures a preeminence
to its works. This is not so simple: firstly
one has to understand the genesis, the function
and the significance of the different forms
of the Avant-garde. Secondly, one has to question
whether these can supply the categories for
a modern hermeneutics detached from the classic
idea. This assertion also implies a philosophical
reconsideration of Avant-garde, as well as
a redefinition of the main ideas connected
to the Avant-garde, namely the notion of crisis
– the crisis of the works, the author,
the culture and the knowledge itself.
Keywords: Hermeneutics, Avant-garde,
crisis, philosophy, modern
Sanja
Bahun - Radunovic (Rutgers University)
When
the Margin Cries: Surrealism in Yugoslavia
Abstract
The curious international critical disregard
has been the fate of the Belgrade Surrealists.
Yet, the Belgrade Surrealist Circle was one
of the most vibrant early-surrealist strongholds
in Europe (1922-1932). The intense collaboration
of the French and Belgrade surrealists calls
for a research of reciprocal influences between
a dominant and a «minor» culture.
The article «When the Margin Cries:
Surrealism in Yugoslavia» explores the
activity of the Belgrade group in the context
of its intriguing cultural and political setting
(the “gate” of Europe). Arguing
for the power of “cultural suburbia”,
this essay reinterprets the dynamic of the
periphery and the center in the European avant-garde.
Keywords: Surrealism, Yugoslavia,
margin, avant-garde, journals
Joanna
Peiron (Université de Provence)
Le
jubilatoire postmoderne: un mode au sein de
l’avant-garde européenne
›Title
in English: The postmodern jubilatory:
a mode within the European avant-garde
Abstract
The definition of modernity given by Lyotard
enables us to isolate two different types
within the field of the European avant-gardes,
modern and postmodern, according to the way
the text alludes to the sublime. After defining
the characteristics of both types, the author
analyses the textual conditions which ensure
the functioning of the second type, prevailing
among the European avant-garde writers. A
serial composition of the units of this model
of read text is observed. The properties of
those series are specified, as well as those
of the element which connect the different
units of the text, an element which is very
similar to the dark precursor described by
Deleuze. Moving from texts by Maïakovski,
Tzara, Luca, Bialoszewski or Marinetti, the
study distinguishes three types of element
ensuring connections to the series: without
textual mark, with modern textual mark and
with postmodern textual mark.
Keywords: modernity, postmodern,
avant-garde, Lyotard, sublime
Eddie
Breuil (Université Lumière Lyon
2)
Vie
et mort de la Collection Dada
›Title
in English: History of Collection Dada
Abstract
The author intends to study the “collection”
of Dada, which spread to Switzerland, France
and Italy. First of all, we’ll look
insight into the notion of the dada “collection”.
Then, we’ll try to know how this international
project of “collection” developed
and which links have been established (or
broken up) in this activity. I mainly focus
on four phases : the beginning of the “collection”
(in Zurich with Huelsenbeck, Tzara and Janco),
it’s propagation to Paris (with le Sans
Pareil), the abortive period of dada’s
international edition of Clément Pansaers,
and the attempt of resurrection of the “collection”
(with Evola, Tzara, Péret and Arp)
in collaboration with worldwide artists.
Keywords: collection, Huelsenbeck,
Evola, Au Sans Pareil, edition
Bibliography
Presentation of Issue
n. 3
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