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Review of Literatures of the European Union

Issue n. 6 - May 2007

The emergence of the unconscious in European Literature
ed. by Tania Collani and Valentina Fenga

Index and Abstracts


Bibliography - Presentation of Issue n. 6

Paul Mengal (Université de Paris XII)
L'âme de la cave au grenier. Les topologies de l'âme et l'origine de l'inconscient - Abstract
Title in English: From the cellar to the attic: typologies of the soul and origins of the unconscious

Henri Béhar (Université de Paris III - La Sorbonne Nouvelle)
Dada comme phénomène européen. Irruption de l'inconscient dans la littérature - Abstract

Title in English: Dada as a European phenomenon. The irruption of unconscious in literature


Eduardo Saccone (University of Cork)
Repetita: iuvant? Il caso de La coscienza di Zeno - Abstract
Title in English: "Repetita Juvant?" - a study of La coscienza di Zeno

Eric S. Rabkin (University of Michigan)
Metamorphosis, the Mechanism of Repression and the evolution of the unconscious in european literature - Abstract

Clara Muscatello and Paolo Scudellari (Università di Bologna)
Una incursione letteraria e antropologica nel mondo della mania: Giorni Felici di Samuel Beckett
- Abstract
Titre in English: A Literary and anthropologic incursion in the world of Mania: Samuel Beckett's Happy Days

Romolo Rossi and Lisa Attolini (Università di Genova)
L'Arte del guarire o guarire con l'arte
- Abstract
Titre in English: Art is the cure


Paul Mengal (Université de Paris XII)
L'âme de la cave au grenier. Les topologies de l'âme et l'origine de l'inconscient
Title in English: From the cellar to the attic: typologies of the soul and origins of the unconscious
Abstract
An analysis of the spatial representation of the soul is necessary when considering the history of the discipline named "psychologia" and its idea of dualism at the end of the XVI century together with the shape that Descartes will give to it at the end of XVII century. The analysis of both the "not-extended-in-space" and thinking soul and the spatial organization of the human psyche, requires also an analysis of the spatial images and metaphors of the soul; the image of the house is definitely one of the most used to represent its hierarchic system. Thanks to this analysis, Mengal claims in the article, it is possible to demonstrate that rationalist theories and especially dualist theories - such as Descartes one - are not inclined to talk about the soul in topological terms. Anti-mechanicist theories linked to Mystique and later on Romanticism, will instead use spatial images and representation for the soul.
Keywords: soul, space, psychicism, dualism, topology

Henri Béhar (Université de Paris III - La Sorbonne Nouvelle)
Dada comme phénomène européen. Irruption de l'inconscient dans la littérature

Title in English:
Dada as a European phenomenon. The irruption of unconscious in literature
Abstract
Starting with Tzara's Dada Manifesto, Dada imposes itself as an international movement focusing on his central and influent role, among European Avant-garde literary context. Dada has carried on an intense and deep reflection on art and life, asking artists to questions themselves on these issues and their possible representation through arts. Tzara's intense activity between 1915 and 1925, and his collaborations with the most eminent figures in European arts and literature (Futurists in Italy, Expressionists in Germany, Cubists in France) show his will of creating a movement that wants to be an "International Anti-Art" beyond any cultural or geographical frontiers. From a point of view of techniques, Dada makes use of photomontage, collage, collective writing, dream-writing, and poetry collective writing.
Keywords: Dada, Tzara, movement, avantgarde, Europe

Eduardo Saccone (University of Cork)
Repetita: iuvant? Il caso de La coscienza di Zeno
Title in English: "Repetita Juvant?" - a study of La coscienza di Zeno
Abstract
What is repeated, reaffirmed, reviewed, ri-ordered, the repetition of disguised, the reiteration of what has been lived already, seems to be central in Italo Svevo's La coscienza di Zeno. Svevo has unveiled the unconscious and its mechanisms and representations, through his writing, and in the short stories written between 1888 and 1890, before Freud's theories. The one presented in Svevo's novel is an unconscious that is revealed through missed acts, thoughts and behaviours of the characters. The general theme of the novel seems to be then illness, that becomes synonyms, according to a sort of lapsus, of 'life', as if illness could be assimilated to a whole life.
Keywords: Svevo, consciousness, psychoanalysis, fiction, illness

Eric S. Rabkin (University of Michigan)
Metamorphosis, the Mechanism of Repression and the evolution of the unconscious in european literature
Abstract
By examining the stories of metamorphosing characters, we can trace the development of an idea of the unconscious as a reflex of repression. Literary metamorphoses reveal diverse mechanism of repression that themselves reveal an historical development from the personal to the social. Sometimes, of course, repression, especially social repression (see Marx, Freud, and Fromm) is socially desirable. If prior repression is comfortable for the individual (see Skinner), no metamorphosis is needed and there is no drama, no struggle for expression. As mechanism of social repression become more powerful and impersonal in the industrial world, literature, becomes a favored medium for the expression of the individual unconscious. Especially in the twentieth century, literary metamorphosis offers a uniquely powerful opening for criticism on the social mechanism of repression.
Keywords: metamorphosis, Kafka, repression, expression, mechanism

Clara Muscatello and Paolo Scudellari (Università di Bologna)
Una incursione letteraria e antropologica nel mondo della mania: Giorni Felici di Samuel Beckett

Titre in English: A Literary and anthropologic incursion in the world of Mania: Samuel Beckett's Happy Days
Abstract
The psychopathological condition of mania according to Winnicot and Bion theories is used to the analysis of Samuel Beckett's Happy Days as a sharp representation of this state; in Beckett's text and in particular in Winnie's monologue and attitude, existential desolation is revealed. The position of the characters on stage and Winnie attempt to fill silences with a continuous stream of words render, according to Muscatello and Scudellari, a realistic and desperate picture of maniac discourse topos and fixed schemes. Creative thought is substituted by maniac 'non-thought' and stereotyped linguistic forms on futile topics that is a way of escaping from the 'lost object' that remains undefined in Beckett's text, and that is maybe the existential emptiness felt by the characters.
Keywords: Beckett, mania, non-thought, language, psychopathology

Romolo Rossi et Lisa Attolini (Università di Genova)
L'Arte del guarire o guarire con l'arte
- Abstract
Titre in English: Art is the cure
Rossi’s essay is about the important role that art and literature are playing in the evolution and in the practice of psychiatry. In particular the idea that emerges in the article is that art can change the normal functioning of mentally ill mind, because it provokes a recuperation of «empathy». Empathy is how we are able to acquire the others’ psychological data and it is also the source of the spectator’s feelings in front of a work of art. Through the study of different works of art, from Kafka’s Metamorphoses, to Campana’s poetry but most of all in Proust’s writings, Rossi shows how ideas derived from art can be a form of «transformed sufferance» leading to accept separation. Separation is necessary for the elaboration of mourning, allowing the re-appropriation of the object lost so to enrich the Self and to structure personal Identity.
Keywords: Proust, Campana, empathy, cure, sufferance

Bibliography
Presentation of Issue n. 6

© Rilune 2005